“Hey, girl.” Looking up from an elixir
that tastes exactly like what
someone would give a girl
to get her to come home with him.
He’s gorgeous,
this Greek statue whose white marble coat
has been scratched off to reveal the human underneath.
That warm skin stretches into a smile that speaks
of exactly what he wants to happen next.
This beautiful nephilim tugs me
through the haze of a modern temple
toward the sacrificial dance floor.
Surrounded by mortals
in various stages of mating rituals
and the lonely voodoo bastards in
corners
casting bones for a temporary goddess.
Whispers in my ear,
this dance floor prophet
is predicting my future.
He leads me to the altar wherein
starts
the obsessing,
the caressing,
the delicious undressing,
and then the
glorious possessing
of heavenly beings whose wings have
been ripped out
and left bloody on the floor with
the rest of the clothing.
Need and desire mix into music
notes,
a doxology of the
damned,
a hymn of
desperation.
Sacrifice bleeds onto pure white sheets,
the scarlet snow
of sin.
I paint ancient runes on skin,
interpreting the constellations in
his eyes.
This is the worship of sacred and
tragic bodies,
and in that moment I found asylum
in his bones.
Smothered by incense that reeks of
impulse,
crucified because
of a smile.
He drags me into the dirt with no
hope
for an exorcism from those eyes.
I wouldn’t want to
be.
He is a devastating smile
and a demanding patron;
I am drunk on holy water and
confessions,
forever a servant to it.
Condemned.
And as I lay thee,
down to sleep,
I pray the dark
will let me sleep.
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